Its as boring to see a completely evil villain as it is to see a completely good guy.

I think Cool Hand Luke was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.

I think test screenings with an audience are useful because they have no dog in the fight, they just say how they feel.

I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'

For me in a film, almost every scene you end up cutting a bit of the start of it out, and some of the end of it out because there's always...once you've rehearsed it and shot it, it feels like a couple of times and you can always get out sooner.

Its as boring to see a completely evil villain as it is to see a completely good guy.

Its such an egotistical thing to be able to just stand there and say, Action! Its like being a little mini-god.