I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.

So it's Rosemary Clooney - Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing, "I've Grown Accustomed To Your Face," which is, you know, really a love song, but what we see on stage is we see one puppet that's got a ridiculous blonde wig on and she looks ridiculous, and next to her is a head that's just a piece of fabric with a pretty face on it.

Probably though, by the time I was 17, I already knew that I was probably going to go into film

My dad and mom were, they would take what were popular hits, and lip-sync to them with puppets and do a ridiculous story.

I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.

The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.

We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we've have audiences that don't really want us to go too far in that direction.