I was a surrogate for Obama; I helped fundraise. I'm still a supporter.

I have my own dance and production companies, and acting is my creative outlet. It's what I'm passionate about. I've actually created a lifestyle where I could act for free. I could get a job to pay the bills and act on the weekends to make me smile.

As a little kid, not only is my dad Jo-Jo White, but M. L. Carr is involved in the family, Red Auerbach is my godfather, and my stepmother was an Olympic-caliber sprinter. Athletes were all around. I happened to be a natural athlete. If I wasn't, it might have been hell. But I never got any pressure from my mom and dad to be an athlete.

Acting was a lot like football. When you're a DB and you're one on one with a receiver, you're going to dance. It's go-time in front of 100,000 people and everybody watching on TV. That's exactly how it is when a director says 'Action!' It's the same adrenaline rush, the same training process. I love it.

I only get involved with roles that I find intriguing, in top quality productions regardless of the medium. I try not to focus on the format itself and concentrate instead, on finding roles that challenge and entertain me as an artist.

The trailblazers are my role models in this industry: Sidney Poitier, Harry Belafonte, James Earl Jones, and Billy Dee Williams. I keep their pictures in my trailer and try to measure to their standards every time I act.

Don't get bogged down with all the details of how it's going to come together. Just do the dishes. And watch the momentum build.