Comics are essentially films with fewer frames per second.

Brubaker and Phillipss books have always been about eight years ahead of their time.

I'm still digesting the '90s. It takes some time to get perspective.

I've always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.

There are only three forms of high art: the symphony, the illustrated children's book and the board game.

The longer I've been writing scripts, the more I find that you have to give the artist more leeway or else you'll just be disappointed. You can't force them to draw every image that's in your head. Since I'm a horrific artist, I wouldn't want them to anyway. So I definitely give them a lot more leeway now than I did at the beginning.

You'd never be able to convince someone to give you money to do a bilingual story where you're not translating half of it - you'd drive people crazy. But in comics, you can do whatever your heart desires.