There's just something about that late '80s that suddenly feels like it has something to teach us.

There's just something about that late '80s that suddenly feels like it has something to teach us.

Each collected edition of Paper Girls that we put out will largely be set in an entirely different era.

I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.

That was the appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.

After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.

When a man carries an instrument of violence, he'll always find the justification to use it.