I felt that if people understood the struggle of recovery, then some of the stigma of addiction might be reduced because the audience would understand in a palpable way that addiction is a disease that tells the afflicted, despite years or even decades of heartbreaking evidence to the contrary, that using will make things better.

I think that every film should have its own structure, and that's the beauty of film language - is that we get to express that deeply individualistic side of ourselves.

It can be difficult to present mental illness in film without resorting to devices that, if not handled well, can seem heavy-handed or cliché.

If you just think about the difficulty you'll never get anywhere.

The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.

You can just imagine the restrictions of shooting in a prison, but I just decided I'm going to embrace those restrictions sometimes when you don't have many choices you can make the best choices.

I don't think that there is any hard and fast rule that says that documentary has to be linear at all.