I think in many ways what my films are about is that search for my grandpa's dentures: for that humanizing narrative that bridges the gap between "us" and "them" to arrive at a "we."

Mental health treatment is most likely available to the officers, but they may be reluctant to access it due to cultural beliefs within the force, fear of stigma, etc.

We all use dishwashers every day and yet none of us would say that we're experts on dishwashers, but somehow we all think we're experts on movies.

I felt like any individual's recovery was more important than the film I was making. And I actually felt that my presence was a form of witness that communicated to the people I was following that their lives mattered.

One thing people often forget when making a documentary is that, in a sense, you still have to cast, find a star, and it has all of those built-in challenges.

It can be difficult to present mental illness in film without resorting to devices that, if not handled well, can seem heavy-handed or cliché.

If you just think about the difficulty you'll never get anywhere.