Jeph (Loeb) will call me with updates, and I'll go, "Are you f--king with me?" I never saw this coming, and certainly never saw it coming while I was still coherent and in the game. That's the difference between me and the previous generations. (Legendary X-Men writer) Chris Claremont had to wait decades before his s - t was on the screen.

This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.

It's too theatrical not to express yourself constantly.

I didn't write superheroes for the first 10 years of my comic career. I was just doing fan fiction. I wasn't thinking about superheroes at all, even though I loved them. I was raised by Watchmen and Dark Knight, so I was raised in with it's all been done, they don't worry about that.

I was on the set of the first Powers pilot, and an actor of color came up to me and said, "When I was a kid, my friends wouldn't let me play Batman or Superman, because I wasn't their color. But they would let me play Spider-Man. And that's the difference." And I realized I had heard this story a hundred times from different people, but I wasn't there in my head yet.

From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

I'm wired with a little bit of self-loathing, not that kind of self-loathing that paralyzes me, but it's there. The things I'm most loved for are sometimes the things that annoy me, not my favorite stuff, but those flashes of genius moments, they're called, I rarely see them as a one eureka light bulb idea.