I was on the set of the first Powers pilot, and an actor of color came up to me and said, "When I was a kid, my friends wouldn't let me play Batman or Superman, because I wasn't their color. But they would let me play Spider-Man. And that's the difference." And I realized I had heard this story a hundred times from different people, but I wasn't there in my head yet.

From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

I was listening to the inclusiveness of Spider-Man, and why he's so appealing to so many people, but I didn't connect it all at first.

I've been reading Ed Brubaker comics since the first appearance of Ed Brubaker comics and every single time he announces a new title I mutter to myself: ugh! I wish I would've thought of that!

I never look at things again once they're done.

One of the things I like to do is people's hearts are on their sleeve, whether it's a good or a bad heart. And I think that's one of the things living in a world with Powers would do: it's too theatrical not to express yourself constantly. It would change them socially and sexually, everything would be altered because of superheroes.

Charlie Huston, who showran the first season [of Powers], is a novelist, and likes to internalize fiction as a novelist does.