It's too theatrical not to express yourself constantly.

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

Charlie Huston, who showran the first season [of Powers], is a novelist, and likes to internalize fiction as a novelist does.

One of the things I like to do is people's hearts are on their sleeve, whether it's a good or a bad heart. And I think that's one of the things living in a world with Powers would do: it's too theatrical not to express yourself constantly. It would change them socially and sexually, everything would be altered because of superheroes.

You can't just have a fight scene. In my opinion, it has to be a character moment or story moment.

With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'

The one thing that Jessica [Johnson] and Miles[Morales] have in common is that there's a great many people in the audience who were desperate for that kind of material. They didn't say anything, didn't tell anybody.