The possession targets a vulnerability in each of its victims and amplifies it. Essentially, it removes the self-control and notions of good that keep us from acting out on our darkest impulses.

The genres change but all of my stories feature ordinary people thrown into frightening, life-altering situations.

I like a strange, wide range of stuff. I like classical music and industrial noise bands. John Waters films and Peanuts cartoons. Barry Manilow and GG Allin. I should have my head examined.

The handwritten pages make for fun giveaways. If someone reviews one of my books online, like on Amazon or Goodreads, they can notify me through my web site, and I'll send them an original page. They can see my creative process in all its scribbly glory.

I included receipts, faxes, newspaper clippings, all sorts of things. I've read novels composed entirely of emails or letters, but not assembled across this kind of mix of materials. I wanted to create the feeling of a detective going through a box of clues.

I'm going to slow down a little bit, but I won't stop creating. I can't!

I came up with an idea to turn the cliché inside out: instead of humans threatened by zombies, what if a sympathetic zombie was threatened by humans?