"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"

I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!

I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.

Racquetball is the only sport where simultaneously you can be looking at the ball and it'll hit you in the back of the head at 90 miles per hour.

Relevance is kind of a weird thing. If one does topical material, it makes sense to want to be relevant. But if someone talks about donut sprinkles, it's not quite as important. Unless the U.S. Supreme Court makes a decision outlawing donut sprinkles.

I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.

My parents didn't know what to do with me. They got me into Little League Baseball, I played out in right field, cause I stunk.