There's nothing I'd say that keeps me awake at night, but I think that when you're working with a group of people that are so beyond talented that, every day, you wake up going, "All right, I gotta fight to stay at the same level as these people," that's what makes it fun.

You have to be really comfortable with yourself because people are going to tell you that you're eyes are too brown or you're this or you're that. And if you're not comfortable with yourself, you could get pretty freaked out.

I feel like it's too easy to just say, "We'll just change the name of this male character to a female, but have her do all the same things that a male does." I don't believe in that. I think there's something else. I think there's more to women than that.

There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.

I know how to have a conversation, but I've never done improv. I've never taken improv classes.

There's nothing I'd say that keeps me awake at night, but I think that when you're working with a group of people that are so beyond talented that, every day, you wake up going, "All right, I gotta fight to stay at the same level as these people," that's what makes it fun.

Surrounding myself with women of different backgrounds and on different paths and in different stages of their lives has become so valuable to me.