I think it starts to feel really redundant when you start to do something the same way over and over again. I don't think it's good to become so dependent on a certain writing process.

There's nothing I'd say that keeps me awake at night, but I think that when you're working with a group of people that are so beyond talented that, every day, you wake up going, "All right, I gotta fight to stay at the same level as these people," that's what makes it fun.

When what you do is play characters, every day, all day, I wasn't really interested in playing a pop star on the weekends. I wanted to be myself, and it slowly turned into not being me at all, so I just didn't really see the point. If the music actually happens, at some point, it will be because some underground following happened, or some little elves heard it and were leaking it.

The experience of making a movie, you start to see it everywhere. It's just this amazing mechanism that your brain does because it just so badly wants to be helpful and keep all the information that you need as accessible as possible.

I usually get my lyrics when I let my mind wander, when you're not really awake, but not yet fully asleep. I keep an open notebook by my bed and then just write whatever comes to me.

When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.

It [the film industry] is not a glamorous industry. It's really, really hard, and you get told all the time, "You're not this, you're not that," and so you have to find a center.