I think movies do change people's hearts.

Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.

People go to the cinema to be moved; they wanna laugh, they wanna cry, they wanna feel something deeply, especially if they're not feeling deeply in their own lives.

It seems to be this hot-bed for these ideas and bringing these groups together. You find that the one thing that everybody has in common, whether they're a teenager who has run away from his parents, or a divorcee who lost her husband, is that they all have in common this feeling of searching for a meaning in their lives.

Because we're watching so many movies and are consumed by so many stories, science fiction lets you do something a bit fresh and that hasn't been seen before.

I'd studied theater growing up and loved that, but didn't have many examples of artists around me.

For me, fantasy and speculative science fiction are the genres that feel closest to how I feel about being alive. Like, when I feel the most invigorated by just even a walk down the block in twilight, when the street lamps are just coming on and there's mist and some shadowy thing in silhouette in a window, I naturally invest all of those things with deep mythology and mystery and meaning. I think I need to believe in that version of reality because I get very scared when I don't.