Early rejections are really tough, especially when all of your friends who you went to school with now have legitimate jobs, are getting married, having children, buying real estate, being adults. And you're still trying to figure out how to make a living doing the thing you think you love, but you're not even sure yet because you haven't even done it. It was a long road of risk and treachery.

I feel like developing the muscle of my imagination became a way to survive reality.

That's the funny thing about cinema, it is an intellectual medium, but it's also sort of anti-intellectual.

I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.

I used to be able to sit in a chair and for four hours straight in a very focused meditative way be in my own world without ay interruption. And now it's like your brain is getting so trained to check your phone, and there is like a dopamine release every time you get a text whether it's a good or a bad one. I'm really worried about what it's doing to our minds.

I couldn't be a novelist for instance. It feels like a very lonely endeavor. I don't know that I could survive the solitude of that.

I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.