Negative feelings can either lead to sinking into oneself and disappearing, or they can make you angry and want to prove that you're worthy to be in the conversation.

The hard part was when I went into the studio with co-producer Eric Broucek, and he started slashing my demos. I always sweat that.

I tend to work on a song, generate ideas, and re-arrange it like five times, and I'm glad I take the time to do that, because I think my original songs come out better.

I do have a lot of references coming out of the '60s, '70s, and '80s, but I don't consciously think, "I'm going to put this here and this there." It comes out of my unconscious, and I don't want it to be just retro.

Before I moved to Brooklyn to pursue music, I was a high school dropout and speed freak who'd been living with her dealer boyfriend in Bucks County, Pennsylvania at 16.

I love the feeling of nostalgia vying with the present. That can be from song to song, or within the same song.

When I moved to New York in my 20s, I didn't have an obnoxious ego, but it was huge! I'll thought, "I'll never die and I can do anything."