I believe that creativity is a product of intelligence. I don't believe that creative work can be produced by fools, dullards, or mediocre people, except in the rarest of accidents. Creativity is a product of desire, thought, experience, experimentation and inner conviction. Taken together, these five qualities imply intelligence and commitment.

I believe that creativity is a product of intelligence. I don't believe that creative work can be produced by fools, dullards, or mediocre people, except in the rarest of accidents. Creativity is a product of desire, thought, experience, experimentation and inner conviction. Taken together, these five qualities imply intelligence and commitment.

I think that's necessary in photography. We try to simplify the chaos that's out there - and that's true of the natural world as well as the mad-made world. Clearly, it's easier in the mad-made world because it has already been structured.

I guess it's not the plan that counts, but the words in which the plan is wrapped. Semantics count for everything, and it's obvious that the resolute Republicans are better at semantics than the weak, flip-flopping Democrats.

There's a rapport that any photographer is going to have with his subject matter. And if you don't have a rapport, you're going to find the task of photographing it difficult.

Rules are foolish, arbitrary, mindless things that raise you quickly to a level of acceptable mediocrity, then prevent you from progressing further.

...I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it.