With a film, I do my best to understand the author's intentions and try to bring the characters to life.

In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.

I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.

Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances.

Directing an opera is similar to directing a play. The singing must not get in the way of the drama.

In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire.

The number of opera houses around the world and the high attendance rates show that opera an art form that is more popular than ever.