In Hitchcock's movies you can see the storyboards and that's cool. It's nice to see a filmmaker be that prepared. Most filmmakers today have their heads up their ass, they're not nearly that prepared. He obviously had a right to say this is what I want and this is how we're doing it, because he was ready. Some filmmakers show up on the set and they don't know what they're doing. So then everyone has ideas and that makes a bad situation too. Be a director who's completely in control and yet no one knows it.

Studios might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.

Digital blood is not effective.

I prefer a much looser style. Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity - killer. I don't get making sure you get every word right in some stupid speech just because a writer sat there and did it.

My father was in the ad business, and he wanted to be a painter.

You couldn't make a cheap drama. That would be too low-budget. Drama has to have good photography and well-known actors.

All men think they're fascinating. In my case, it's justified.