If you don't have any money and you want to make a horror movie, take a six-inch wide brush for house painting and dip that in a bucket of blood, and then just flick your wrist. You'll get this great speckled splash of blood, and it will cost you nothing.

If you have script problems and you don't fix them by the time you shoot, your script problems are now 40 feet tall.

You're not looking for the Rolls Royce and the big fancy trailer. Those are supposed to be the byproducts of having fun and then getting good at what you do.

If you don't have any money and you want to make a horror movie, take a six-inch wide brush for house painting and dip that in a bucket of blood, and then just flick your wrist. You'll get this great speckled splash of blood, and it will cost you nothing.

In Hitchcock's movies you can see the storyboards and that's cool. It's nice to see a filmmaker be that prepared. Most filmmakers today have their heads up their ass, they're not nearly that prepared. He obviously had a right to say this is what I want and this is how we're doing it, because he was ready. Some filmmakers show up on the set and they don't know what they're doing. So then everyone has ideas and that makes a bad situation too. Be a director who's completely in control and yet no one knows it.

Studios might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.

We've all made bad decisions, but they haven't always been resulting in the deaths of innocent people.