It's just like any relationship, the more contained the environment, the more the good stuff appears and the more the bad stuff will reveal itself.

I think love courses through all of us, and we can express it to one person all the time, or we can express it to everybody in our world, in our immediate world, in our extended family and all that and to strangers. I think as a concept. I don't mean you and me later.

Things we think of as tremendous advantages can get in the way of being happy, and wealth is one of those things where people can become isolated within this luxury and not connect.

If you don't pay attention and if your imagination isn't pretty much engaged, you're going to miss things and you're going to miss opportunities for it to be as compelling and as creepy as it can be.

We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.

With a contained environment, there is the promise of friction. And that is where the drama comes from.

You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.