The music is pretty relentless. You've got to find some way of letting the audience breathe for a minute, give them a little bit of air - but not too much. Otherwise it would get real intense. The room would get very tense.

[People] are trying to - they're trying to create something that solves a series of very complex problems inside of them or in their history. And I think when I unknowingly - when I went to do that, that's what I was - I was trying to integrate all of these very difficult things that I'd been unable to integrate in my life and in my life with my parents.

My soul is lost, my friend, tell me how do I begin again? My city's in ruins, my city's in ruins.

I got Mary pregnant and man that's all she wrote. And for my 19th birthday, I got a union card and a factory coat.

It took quite a bit of work and time and mistakes to begin to feel - to understand the strength that comes along with building a home life.That was very mysterious to me. I was very skeptical of it for a long time, and didn't understand it fully until Patti [ Scialfa] and I got together.

No, I always felt that amongst my core fans- because there was a level of popularity that I had in the mid '80s that was sort of a bump on the scale- they fundamentally understood the values that are at work in my work.

I always write with an audience in mind. If I feel that [connection] coming back at me then I feel like I'm doing my job. That's why people come to my music - for some emotional experience or a perspective, either on their own lives, or on the world that they're living in.