This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.

You can revisit - the wonderful thing about my job is you can revisit your 22-year-old self or your 24-year-old self any particular night you want. The songs pick up some extra resonance, I hope, but they're still - they're there, and I can revisit that period of my life when I choose. So it's quite a nice experience.

Hey, little dolly with the blue jeans on, I want to ramrod with you, honey, 'til half past dawn.

I got Mary pregnant and man that's all she wrote. And for my 19th birthday, I got a union card and a factory coat.

And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.

Talk about a dream, try to make it real.

You'll walk with me out on the wire, cuz baby, I'm just a scared and lonely rider, but I gotta know how it feels... I want to know love is wild, babe, I want to know love is real.