Fame, on its best day, is kind of like a friendly wave from a stranger by the side of the road. And when it's not so good, it's like a long walk home, all alone, with nobody in when you get there.

If you see me performing, you're going, that guy is simply the most extroverted guy I've ever seen. But if you've seen me very often on a daily basis and all the while growing up, I was very, very introverted. Very introverted. So I have sort of the extremes of both of those characteristics.

Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.

Roy Orbison is singing for the lonely, hey, that's me and I want you only.

I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in.

Fame, on its best day, is kind of like a friendly wave from a stranger by the side of the road. And when it's not so good, it's like a long walk home, all alone, with nobody in when you get there.

Certainly tolerance and acceptance were at the forefront of my music.