If you're up there [on stage] thinking about what you're doing, you're just not there and it's not going to happen.So trying to learn how to overcome those - which is a normal thing to do. You're in front of a lot of people. People are going to get very self-conscious. So you have to learn to sort of overcome that tendency towards self-consciousness and just blow it wide open. And you jump in and join all those people that are out there enjoying what you're doing together.

I didn't have a blueprint from my childhood that I could call on, which is an enormous deficit when you're trying to put together a family life. I didn't see a family life where men were thriving inside of it. You know, my dad tended to blame the family for his inability to achieve what he wanted to achieve, you know? So, unfortunately, I was coming from that particular frame of mind.

The E Street band casts a pretty wide net. Our influences go all the way back to the early primitive garage music, and also, we've had everything in the band from jazz players to Kansas City trumpet players to Nils Lofgren, one of the great rock guitarists in the world.

I didn't know if it would be a success-ful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter.

For the ones who had a notion, A notion deep inside, That it ain't no sin to be glad you're alive I wanna find one face that ain't looking through me I wanna find one place, I wanna spit in the face of these badlands

I was in my late 20s, in the process of shaping my musical outlook and what I wanted it to be about, when I first encountered Woody Guthrie.

I think you can get to a point where nihilism, if that's the right word, is overwhelming, and the basic laws that society has set up - either religious or social laws - become meaningless.