The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.

It ain't no sin to be glad you're alive.

You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.

Most of these - most people's stage personas are created out of the flotsam and jetsam of their internal geography.

I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.

The only thing I know as I get older is that I don't really need to be No. 1.

Fame, on its best day, is kind of like a friendly wave from a stranger by the side of the road. And when it's not so good, it's like a long walk home, all alone, with nobody in when you get there.