The moment you begin to depend on audience reaction, you're doing the wrong thing. You're doin' it wrong, it's a mistake, it's not right. You can't allow yourself, no matter what, to depend on them.

[People] are trying to - they're trying to create something that solves a series of very complex problems inside of them or in their history. And I think when I unknowingly - when I went to do that, that's what I was - I was trying to integrate all of these very difficult things that I'd been unable to integrate in my life and in my life with my parents.

I understand that it's the music that keeps me alive... That's my lifeblood. And to give that up for, like, the TV, the cars, the houses - that's not the American dream. That's the booby prize, in the end. Those are the booby prizes. And if you fall for them - if, when you achieve them, you believe that this is the end in and of itself - then you've been suckered in. Because those are the consolation prizes, if you're not careful, for selling yourself out, or letting the best of yourself slip away.

The poets down here don't write nothin' at all, they just stand back and let it all be.

"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.

More than rich, more than famous, more than happy...I wanted to be great.

She's a walkin', talkin' reason to live.