I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
Bruce VilanchI think probably the best example was the year Jack Palance dropped down and gave us push-ups when he accepted his award for supporting actor. Then we got to throw away a lot of the script because we just did Jack Palance jokes, because it was just too delicious, watching this old man carry on like that.
Bruce VilanchI have one rave New York Times review framed next to a flop Los Angeles Times review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
Bruce VilanchI write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees.
Bruce VilanchNow what's important is that they have an attitude. Everybody has a look, but not everybody has cultivated what their stage persona is. And so when you're dealing with actors, it just makes it more difficult, because you have to help them come up with one. You know, Johnny Depp has no Johnny Depp character when he's onstage. You haven't seen An Evening With Johnny Depp at Carnegie Hall.
Bruce VilanchI mean, people who watch Jon Stewart's show every night don't think he went far enough, because he couldn't do what he does on his show every night, because it's a different job. The same thing with Chris Rock. He can't come out and do a tossed-salad routine, the way he does on his HBO shows, because this is the Academy Awards.
Bruce Vilanch