A lot of the challenge with TV, as opposed to making movies, is that you have to leave room for the characters in the story to tell themselves. Sometimes you don't know where a character is going to go and what's going to happen to them until you've seen the actor take that part and make it their own.

It's like an angel crying on your tongue.

The great thing about Gotham is it encompasses so many different worlds.

To me, the difference between mythology and real history is that the real history has to tell a kind of believable story of how things happened. The physics has to work.

You name the TV psychic - they're con men.

You can't be someone you're not on TV. You can in movies, but not on TV because you can't hide.

One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.