Even in the depths of sleep, in which he had to satisfy his need for protection and love by curling himself up into a trembling ball, he could not rid himself of the feeling of loneliness and homelessness.

Ordinary facts are arranged within time, strung along its length as on a thread. There they have their antecedents and their consequences, which crowd tightly together and press hard one upon the other without any pause. This has its importance for any narrative, of which continuity and successiveness are the soul.

In our town there was a Gestapo officer who loved to play chess. After the occupation began, he found out that my father was the chess master of the region, and so he had him to his house every night.

So, it comes to pass that, when we pursue an inquiry beyond a certain depth, we step out of the field of psychological categories and enter the sphere of the ultimate mysteries of life. The floorboards of the soul, to which we try to penetrate, fan open and reveal the starry firmament.

...."the sound of a barrel organ rising from the deepest golden vein of the day; two or three bars of a chorus, played on a distant piano over and over again, melting in the sun on the white pavement, lost in the fire of high noon.

Yet what is to be done with events that have no place of their own in time; events that have occurred too late, after the whole of time has been distributed, divided, and allotted; events that have been left in the cold, unregistered, hanging in the air, homeless, and errant?

How can one not succumb and allow one's courage to fail when everything is shut tight, when all meaningful things are walled up, and when you constantly knock against bricks, as against the walls of a prison?