It's mind-altering when you slip into someone else's shoes. That's psychedelic, man.

Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.

The only thing that we as actors really can control is to be able to say 'yes' or 'no' to the material.

Actors are inherently self-centered. We're trained to focus on who I am. What do I want? Who is in my way? How do I get this? That's how we're trained. Unfortunately, that sometimes spills over into real life. But it's all very subjective. You just try to portray someone beyond the surface, the different layers.

It's a familiar story now: a meek and depressed high school chemistry teacher with terminal cancer cooks up a scheme to make and market a superior grade of methamphetamine to provide a nest egg for his family after he's gone. But over the course of five seasons Walter White goes from milquetoast to murderous in order to survive.

That's the reason you want to become a star as an actor, to be able to have more control of your destiny.

What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.