The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.

Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.

In fact, I told our dear friends, the Burrell boys, five boys lived next door to us. "Why, we don't see your dad anymore?" "Oh, yeah. Yeah. He" - I lied. I said, "He comes home at night when you guys are in bed. He gets us up and we play." I said it so much that I started to believe it myself, you know?

When you're an actor in grade school, high school, college, whatever, you start to realize what you're really good at, what you're kinda good at, what you're okay at, and you start to compartmentalize. But if you know yourself and what you're capable of, it's just a matter of opportunity.

Actors are inherently self-centered. We're trained to focus on who I am. What do I want? Who is in my way? How do I get this? That's how we're trained. Unfortunately, that sometimes spills over into real life. But it's all very subjective. You just try to portray someone beyond the surface, the different layers.

I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with.

Actors, writers, directors - that triumvirate of creativity - we have to rely and trust each other to be able to get to the final product.