I think the best-written films or television series have a measure of the opposite of what they are.

Part of an actor's job is to draw up a back story.

If you have a screaming angry director, everyone else will be panicked as well.

Let me demonstrate. When you greet a friend this is the duration of the kiss that's acceptable. "Hi, good to see you - yeah." When you make a mistake and stay too long at the lips, this is how long it is. "Hi, how are you? Good to see you." And that's what happened. It was like, "Uh-oh, what was that? Oh."

I want to be done, and actually, go "I had a good run. No regrets. I'm ready to step aside."

I learned long ago to focus on things you can control and don't even pay attention to things you don't.

If something is well-written, it has a chance to be good and if it's not well-written, it will not be good. It could even become popular, but it won't be good.