I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.

It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.

I have some anger issues.

I don't really relax. When I sleep, I relax.

What's interesting is a man with no facial hair is less intimidating than a man with facial hair, and a man who is bald is more intimidating than a man with hair.

There are far more talented people doing voice work than I.

Given the right set of circumstances any one of us could become dangerous - so why not show that in our programmes?