I have talked to stunt drivers all my life, 32 years of talking to stunt drivers. There's a craziness to them.

If you have a screaming angry director, everyone else will be panicked as well.

If you have a level of expectation in your life that you have to be a quote-unquote star, whatever that means, you might be setting yourself up for failure.

I think it's not a question of why, more a question of why not.

What's great about well-written material is, if you can shock with justifiable actions, that's the best.

I don't even think about the money when I consider roles, I turn it over to my agency. Money will come. I respect it but I don't thirst for it. I wish Americans thought more like Europeans when it comes to money and work. They take time off, they do what they love. We think work is the most valued commodity. Really the most valued commodity is time.

Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.