With craziness, you can't predict it. There's very little defense you can have on craziness.

There are far more talented people doing voice work than I.

When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.

I realized, "Oh my god, this is an enormous play. And it's almost all me. Big. big chunks of speeches, speeches, speeches." And I started to panic.

It's a familiar story now: a meek and depressed high school chemistry teacher with terminal cancer cooks up a scheme to make and market a superior grade of methamphetamine to provide a nest egg for his family after he's gone. But over the course of five seasons Walter White goes from milquetoast to murderous in order to survive.

If you work hard, you have a better chance of producing something that you're proud of. If you don't, you won't. It's really simple.

It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.