It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.

Take a chance. Take a risk. Find that passion and rekindle it. Fall in love all over again. It`s really worth it.

It's in our nature to be intrigued. We're putting the bread crumb not in your mouth but close to your mouth. You reach a little bit, and that's why it works.

The only thing that we as actors really can control is to be able to say 'yes' or 'no' to the material.

It's up to the actor to make sure they don't get typecast.

What's great about well-written material is, if you can shock with justifiable actions, that's the best.

I want to make sure that what I do has specific purpose and is not just throwing a dart at something to keep busy.