I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.

In the beginning [of my social media life], I started posting and someone I'm close to said, "you're only posting pictures of yourself in your grungy pajamas. You're an actress be aspirational." Then I was like, "I'm not living an aspirational life on a day-to-day basis." For a while after that I was only taking pictures of, like, objects.

What I wasn't used to was being in front of the camera.

The work that we do is so tricky because it rests on our shoulders, but it's also collaborative and part of it is trusting the people that you're working with.

You need to not be able to do anything else, to be in this business. If you have other options, in those unemployed moments, those other options will take precedent. From a directorial standpoint, I think it's really Freudian, the amount of trust I have in filmmakers because I have such a trusting relationship with my dad.

I had watched an episode of Black Mirror almost exactly a year prior to when I started shooting my episode. I was by myself in New Zealand, and my husband was like, "You have to see this show. It's so incredible."

Right now as an artist, what I want to do is be a part of works that are unignorable. I couldn't be less interested in how people receive it, honestly. As long as it's unignorable.