I felt very comfortable on a set - incredibly comfortable on a set, which is a real gift because that can be hugely intimidating.

I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.

The work that we do is so tricky because it rests on our shoulders, but it's also collaborative and part of it is trusting the people that you're working with.

Social media is a performance like any other form of entertainment, and acknowledging that is important.

I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.

When I work on a film, I always tend to relate to the crew.

I saw an episode - the second episode [of Black Mirror], "Fifteen Million Merits" - and I completely flipped out: "This is what my nightmares are made of. This is the most terrifying thing I've ever seen."