Social media is a performance like any other form of entertainment, and acknowledging that is important.

I was in South Africa, and Joe [Wright] asked the same exact question that you just asked: "Have you ever seen an episode of Black Mirror?" I went back and played the video for Joe. The episode that I did is called "Nosedive," and it was a year to the week from when I first watched it. It was just very bizarre, this very weird coincidence.

I've learned to think in terms of having a long career. Actors can have very long careers that last until the day we die, but there will be moments when you'll feel like you're a failure or when you're disappointed in yourself.

I'm definitely not very insecure, but I have perfectionist tendencies, and I'll want things to be a certain way.

You go on Instagram, and it's just not a real reflection of what people do, and how much pain people are in every day. So that's my mental change.

But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.

You do your best [ on auditions] and sometimes you win 'em over and sometimes you don't.