The other thing I've been discussing with friends is: when you're born do you start at a zero, or five?

When people just become numbers, and we stop relating to each other as human beings. And we don't have the agency to make choices that can positively affect another human being. I was watching something yesterday where Justin Timberlake took a picture of himself voting, and he might get thirty days in jail because it's a new law or something.

Sometimes I think to myself, "I wonder if Meryl Streep is ever like, 'Oh gosh, everyone thinks I'm so perfect! I wish that someone would give me a note.'"

But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.

Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.

I think my favourite memory from filming 'Jurassic World' would just be a compilation of me running through the jungle in heels, and just how absurd that really was. That that actually happened.

I've learned to think in terms of having a long career. Actors can have very long careers that last until the day we die, but there will be moments when you'll feel like you're a failure or when you're disappointed in yourself.