The time I save setting up and cleaning up probably balances out by the time I spend on output.

Digital art software has empowered both the painterly side of photographers, and the photographer side of painters.

I had a teacher's degree and a degree in Oriental Philosophy from the University of Massachusetts. I thought I was going to India to study but all of a sudden, I had a career in music. It really surprised me.

That is, an artist who creates lots of work probably experiences prolific days and slower days.

There is an exercise I teach at colleges: Get yourself a canvas and a bunch of acrylics and go into a very dimly lighted room. Dip a brush into one of the colors, slap it on the canvas, don't look, close your eyes, make a painting, don't look, turn the lights on and see what you've got. I think this releases people from the editor in their life that's always standing over their shoulder saying, "Oh, you don't have any talent; who do you think you are?"

Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.

Take a bunch of little kids to the beach and they all make art. Adults are too stupid to call it art, but it is art. They'll use their imaginations, make drama, make up characters, make pictures in the sand, they'll make up songs that no one's ever heard before. All kids, I think, are creative, but they get it pounded out of them in school.