I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.

I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.

The director Denis [Villeneuve] is actually an actor (he's from Sons of Anarchy and he's a great character actor) and he's also a screenwriter (he wrote What Lies Beneath). It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.

The only one that I have to go and see is Brooklyn. I was surprised to see it get the best picture nod, but Saorise Ronan, she's very mesmerizing; she has probably the most piercing set of eyes in Hollywood.

Music in Rocky has always been pivotal.

I feel bad [about Lil Wayne going to jail], because I don't think anything like this has happened in music since Elvis got drafted into the Army. Let's just keep it real - Lil Wayne is not just the biggest rapper, Lil Wayne is the biggest pop star right now. Maybe Susan Boyle is on his level. But when you talk about music, nice times out of ten, Lil Wayne's name is gonna come into the conversation.

Obviously movies like this [Fast and the Furious 7] don't get any love from the Academy. If they do, it may be special effects or sound editing or something like that.