I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man.

I don't want to call anyone an outright winner without having seen everything.

I don't think Jennifer Lawrence deserves to be in this category [leading role]? Joy is a great movie, obviously. She's a great actress and I don't want to take anything from her, but it ain't American Hustle.

I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.

It had no affect on me whatsoever. Um... I consider Jay a very good friend of mine. I also consider Dame and Biggs very good friends of mine. With me not being a Roc-A-Fella artist, with me just being a friend of both and not being tied to them in the Roc-A-Fella situation, I was still able to maintain personal relationships with both of em.

Jay was intimidating to the point where I was totally intimidated before I even got to the booth. But I was like, this is going to be a test of my mettle. In the South, I'm regarded as the guy who, quote unquote, out-rapped Jay-Z.

[Alejandro González Iñárritu] went from Birdman to this - these are incredible ledges that he's stepping out on in making these films [The Revenant]. I think his only threat for best director is Room, to be honest.