They say pantomime's a lost art. It's never been a lost art and never will be, because it's too natural to do.

I don't feel qualified to talk about my work.

Tragedy is a close-up; comedy, a long shot.

I gotta do some sad scenes. Why, I never tried to make anybody cry in my life! And I go `round all the time dolled up in kippie clothes-wear everything but a corset...can`t stub my toe in this picture nor anything! Just imagine having to play-act all the time without ever getting hit with anything!

Not long ago a friend asked me what was the greatest pleasure I got from spending my whole life as an actor. There have been so many that I had to think about that for a moment. Then I said, 'Like everyone else, I like to be with a happy crowd'.

Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.

The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life.