I made so many recordings with junky mics and crappy mixing consoles, you have to use what your tools are and in some ways that's been inspirational.

There weren't even cell phones when we started Garbage, we'd have to pull over to the side of the road and use a payphone to call the venue to make sure you knew where you were going and now of course everything is completely changed.

I made so many recordings with junky mics and crappy mixing consoles, you have to use what your tools are and in some ways that's been inspirational.

I sort of feel I'm only as good as the last record I made. I was on as soon as I finish it I immediately put it aside and move on to the next project.

I'm trying to be present in my daughters life as much as I can. I didn't have any kids or really any family. I have a family but I just dove into work 1,000%. I think as an artist when you're young like that, when you move into your 30's or 40's if you have time to focus on that you need that time. It's part of that.

Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.

I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.