Do you mean to say," asked Caspian, "that you three come from a round world (round like a ball) and you've never told me! It's really too bad for you. Because we have fairy-tales in which there are round worlds and I have always loved them … Have you ever been to the parts where people walk about upside-down?" Edmund shook his head. "And it isn't like that," he added. "There's nothing particularly exciting about a round world when you're there.

The most intense joy, lies not in the having, but in the desire, Delight that never fades, bliss that is eternal, Is only your, when what you most desire, is just out of reach...Anthony Hopkins, from the movie Shadowlands, where he plays C.S. Lewis

But in general, take my advice, when you meet anything that is going to be Human and isn’t yet, or used to be Human once and isn’t now, or ought to be Human and isn’t, you keep your eyes on it and feel for your hatchet.

Periods' are largely an invention of the historians. The poets themselves are not conscious of living in any period and refuse to conform to the scheme.

But why,... if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own? Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality.

I was with book, as a woman is with child.

The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth.