When the author walks onto the stage, the play is over

The good man's past begins to change so that his forgiven sins and remembered sorrows take on the quality of Heaven.

The higher animals are in a sense drawn into Man when he loves them and makes them (as he does) much more nearly human than they would otherwise be.

A perfect man would never act from a sense of duty; he’d always want the right thing more than the wrong one. Duty is only a substitute for love (of God and of other people) like a crutch which is a substitute for a leg. Most of us need the crutch at times; but of course it is idiotic to use the crutch when our own legs (our own loves, tastes, habits etc.) can do the journey on their own.

It is a poor thing to strike our colors to God when the ship is going down under us; a poor thing to come to Him as a last resort, to offer up 'our own' when it is no longer worth keeping. If God were proud He would hardly have us on such terms: but He is not proud, He stoops to conquer, He will have us even though we have shown that we prefer everything else to Him.

It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.

Cobbles and kettledrums! ...I hope this madness isn't going to end in a moonlit climb and broken necks.