In great literature, I become a thousand different men but still remain myself.

Because, as we know, almost anything can be read into any book if you are determined enough. This will be especially impressed on anyone who has written fantastic fiction. He will find reviewers, both favourable and hostile, reading into his stories all manner of allegorical meanings which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I had thought of them myself.)

The purpose of all opprobrious language is, not to describe, but to hurt - even when, like Hamlet, we make only the shadow-passes of a soliloquised combat. We call the enemy not what we think he is but what we think he would least like to be called.

Whenever you find a man who says he does not believe in a real Right and Wrong, you will find the same man going back on this a moment later. He may break his promise to you, but if you try breaking one to him he will be complaining 'It's not fair' before you can say Jack Robinson.

What do people mean when they say, 'I am not afraid of God because I know He is good'? Have they never even been to a dentist?

The student is half afraid to meet one of the great philosophers face to face. He feels himself inadequate and thinks he will not understand him. But if he only knew, the great man, just because of his greatness, is much more intelligible than his modern commentator. The simplest student will be able to understand, if not all, yet a very great deal of what Plato said; but hardly anyone can understand some modern books on Platonism.

You can do more with a castle in a story than with the best cardboard castle that ever stood on a nursery table.