If the immutable heart can be grieved by the puppets of its own making, it is Divine Omnipotence, no other, that has subjected it, freely, and in a humility that passes understanding. If the world exists not chiefly that we may love God, but that God may love us, yet that very fact, on a deeper level, is so for our sakes. If He who in Himself can lack nothing chooses to need us, it is because we need to be needed.

The time when there is nothing at all in your soul except a cry for help may be just that time when God can't give it: you are like the drowning man who can't be helped because he clutches and grabs. Perhaps your own reiterated cries deafen you to the voice you hoped to hear.

At all ages, if [fantasy and myth] is used well by the author and meets the right reader, it has the same power: to generalize while remaining concrete, to present in palpable form not concepts or even experiences but whole classes of experience, and to throw off irrelevancies. Bat at its best it can do more; it can give us experiences we have never had and thus, instead of 'commenting on life,' can add to it.

And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.

Heaven is reality itself. All that is fully real is Heavenly. For all that can be shaken will be shaken and only the unshakeable remains.

We can conceive of a world in which God corrected the results of abuse of free will by His creatures: so that a wooden beam became soft as grass when used as a weapon... But such a world would be one in which wrong actions were impossible, and therefore, freedom of the will would be void.

Edmund, who was becoming a nastier person every minute, thought that he had scored a great success, and went on at once to say, 'There she goes again. What's the matter with her?